Dwayne Film Colour Palettes

For the group film, we have split the work for the production of the short into its different areas and agreed tasks between one another. This was greatly helped by the previously posted production maps. I have taken on the production of the digital backgrounds for each of the album pages. This involves the further development of the previous page concepts I posted including internal frame backgrounds.

For the colour scheme we have chosen jewel tone palettes.

Background palette. 
Dwayne palette.

McVerry Trust Production Design Concepts

Pre-visualisations for the McVerry Trust film proposal. My idea is to use the concept of a photo album to illustrate the journey that Dwayne expresses in his words. The underlying idea behind the photo album is to signify the transitory nature of being homeless, the photos represent Dwayne’s memories and experiences and the fact that they have no permanent home, he must hold them in a portable vessel. The cover for the album has at its centre a key, our access to Dwayne’s experience. 
The album cover with the key symbol as focus.
We travel through the pages of the album, each page with its accompanying photo and frame responding to Dwayne’s words. Dwayne has been in his home for a year so the frames are designed after the seasons beginning with;
  • Summer – we see Dwayne in a hostel and he’s about to move out, the frame has sunshine as its main motif, flowers bloom as Dwayne leaves. The colours are yellow, gold and orange tones.
  • Autumn – Dwayne is at home with his family. The frame embodies Autumn with a leaf and seed motif, a harvest festival feel, coming home. The colours are rust red, browns and muted greens.
  • Winter – Dwayne reflects on not being able to have people over to visit in a hostel. The frame attempts to convey this isolation through the cold tones of winter. The colours are blues, pale whites and purples.

Winter page concept.
  • Spring – Dwayne can have his daughter over to stay now, we see a picture of a young girl. The frame is flush with new growth, new possibilities, flowers and green leaves abound. The colours are vibrant greens and rich reds.
Dwayne then lifts the photo of the young girl from the album and we see him place it on a wall. He now has a permanent home for his life and his memories.

McVerry Trust Visual Reference

I’ve looked at a number of videos for inspiration in creating the short animation for the McVerry Trust with a focus on paper cut-out style animation.

Firstly I watched the short film The Thomas Beale Cipher. Which I found to be a great example of the use of texture, strong shapes and silhouettes in a cut out style. The characters are rotoscoped though which I wouldn’t be interested in exploring at this stage.

These have included the opening sequence to the motion picture version of A Series of Unfortunate Events.

For the action of turning the album pages, the end credit scene from the movie Up.

The opening sequence to the French film Le Petit Nicolas sparked the idea of creating cut out animation using a book/photo album as the stage.