Having reached apotheosis through a conquering of the dark the Melancholic Wife is ready to return to the ‘unromantic walls of her real life’. But first she’ll need a doorway and one dutifully manifests from the dissipating energies of her embracing and dancing with the light. The main task of these two scenes was an exercise in special effects animation. The light effects that create the door and the few small sparkles that enter through it in the following scene were all animated directly in Photoshop, no pencilling involved this time. The animation of the door itself appearing will be done using masks in After Effects as will the animation of the door opening, using the corner pin tool.
The Melancholic Wife has drawn the white light to herself with the aid of her ghost and now comes the first moment of exploration and play. She perceives the boundaries of her form in a new way, we see her twisting her hand, feeling the glow that surrounds her and its flow through the space she inhabits. We follow the arc of her rising hand until it meets its twin. There the gathering energy pushes them apart and she has to find the determination to control the power within her.
The Skills Audit and SWOT (Strengths, Weaknesses, Opportunities, Threats) Analysis represented another opportunity to utilise the visual identity elements created for the logo and business card. Fot the Skills Audit I decided on going with the pencil motif as a straight comparison to a bar graph. For me it also evokes that sense of pencils falling out of a box. I broke the audit down onto technical / software skills and soft skills gleaned and developed through my years of different creative employment. For the skills that defy a rating scale I included them at the bottom as scribbles to help convey the sometimes informal nature of these elements.
For the SWOT I thought of the pen motif and the line coming off as branches into each element of the analysis, vibrant green for strengths, brown for weaknesses, buds for opportunities and thorns for threats. What became clear is that my experience is a tremendous asset to me in terms of creative confidence but that my lack of particular experience in the animation field will be something to stay aware of, especially around technical know how considerations.
Scene Eighteen represents something of a breath. There are a sequence of cuts before it between short scenes communicating lots of information and the scenes after it rise up again towards the crescendo of the final dance. So it’s a chance to breath, take a metaphorical pause and have a slow moment to contrast with the quick. The Melancholic Wife’s arms raise steadily, opening up to her power, opening up to the audience.
There are a few scenes dotted through the animatic that could be described as very short and scenes five and six would fall under that category, comprising a total of three seconds all together. Scene five is a simple step into the ‘ghost room’ and scene six follows it up with a short glance up from our protagonist as she spots the ghosts.
While short they are important, scene six bridges the story from the frantic run that preceded it to the more serene atmosphere of the ‘ghost room’. I felt it important to have her step even once, rather than just have a more easily completed hold, to represent the dissipation of energy from the mad dash.
The glance upwards then has to communicate an emotional shift, I wanted to portray a graceful arc to her movement and emphasise the flow of her hair to preface the floating light tone of the dancing ghosts who are about to appear on screen. I learned the importance here of not underestimating any scene no matter the length and its potential to keep a story continuum on track.
The final version of my designed logo, trying to communicate on both a strong graphic front with the block colour pen and an illustrative front with the line-work portrait. The integration of pen and portrait came from research into Saul Bass design and his imaginative and clear use of graphic elements interacting with one another in unusual ways.